L&CPU Big Day 15 October 2017 featuring the Novice Cup

October 15, 2017 in Crewe PS news

It was clear as soon as you walked into the room – the Novice Cup had been successful in drawing in new visitors. The Novice Cup had been intended to get the interest of people who do not usually get involved in entering competitions. The term Novice is problematic – it meant novices to Federation competitions rather than photography.

In addition to the Novice Cup competition there were four people lined up to speak to us and the general theme was the APMs – the awards given by the PAGB for photographic achievement. The talks were very enjoyable, Noel Patterson, Conor Molloy, Rob Hockney and Phil Barber told of their experiences in applying for these awards. While we heard the speakers, Gwen and Phil Charnock and Rob Millin were judging the prints.

Things got exciting for Crewe PS when we were able to view the prints (just mono first) and we discovered that our Bob Brown had gained a commendation. Later, after the colour prints had been scored we found, to our delight, that Bob had repeated his success.

At the end of a heady day we heard the club scores and Crewe had 3rd place in colour and 6th overall. We must have been below 10th place in the mono, but hopefully only just!

The individual print marks were…click here..

Artsfest – All Saints Church

October 14, 2017 in Crewe PS news

Our pitch at the Artsfest was looking pretty good; plenty of excellent work on display, including a montage of work from everyone who entered competitions in 2017. John and Meg are seen discussing the much admired “Preacher” by our secretary Peter Robinson. All the prints drew compliments from visitors.

Martin helped us out on Friday and I share his concern that showing such super work may intimidate beginners. It is always a possibility but I hope our constant reference to our open-minded approach, and our respect for everyone’s work will allay any concerns. A  member of only a couple of week’s standing was helping us with the stall.

Thanks to Jo, Paul, Meg, Martin and Dolores for helping over the two days. We met some interesting people and it was a pleasure to be part of the art and music which enriched this event..

Robertshaw 49 – 12 October 2017

October 14, 2017 in Crewe PS news

To make a special occasion of something is always fun and it was exciting to be staging this event at the Crewe Vagrants rather than our Lifestyle Centre home.

The entries were really superbly presented and almost all very strong, competitive images – a pleasure to view. In the end Macclesfield CC took the Trophy (a particularly handsome one) and the small spread of marks underlined the quality of the entries.

Macclesfield’s new Chairman/President Kevin Blake was there to receive the award from judge Bob Dennis APAGB CPAGB AFIAP BPE4.

Kevin has written “Just wanted to drop you a note and say a big thank you on behalf of
Macclesfield Camera Club for last night’s competition . Regardless of
the fact we won we had a great evening and it was nice to be welcomed so
warmly. Thanks also to Ian and the rest of the team for running the evening.”

Janey Devine FRPS Exhibition

October 6, 2017 in Information

We called in at the exhibition at the Middleport Pottery in Burslem yesterday to have a look at Janey Devine’s exhibition “Our Heritage, Your Future”.

Janey comes from Southampton and is a member of the Focus Group. There are a small number of beautifully presented photos capturing the remnants of the Potteries’ past and a short video also features her pictures and has an optimistic tone about the City of Culture bid. There are a few of Janey’s more abstract works for sale.

It finishes on 22 October and, whilst admission to the Museum is £3 or £4 the exhibition is in a separate building and is free.

Janey is running an excursion on 14 October – see front page.

There was a book on display showing the work of the Focus Group – one member told of his work with old printing processes in the darkroom and how he had worked hard to reproduce them now digitally. He had a number of interesting projects too including travels though Italy.

 

October’s Monthly Theme is Balance

October 1, 2017 in Uncategorized

This month’s theme gives you the opportunity to test your balance.  The balance of your photograph can transform an average photograph into a winner so take up this challenge to show members how well balanced you are. Not only can you balance your subjects size and position, but also it’s tone, colour and sharpness. Play around with the composition and find one that pleases you then share it on our friendly forum for some constructive discussion.

PDI Competition (PDI 1 2018) – Judged by Bill Preston ARPS DPAGB BPE5 – 28 September 2017

October 1, 2017 in Crewe PS news

Here are the winners of our three sections in our first PDI competition of the season, held on Thursday 28 September. They are (top, left) John Royle’s Tomb (hope that isn’t prescient) , mono winner, then (right) Ian Whiston’s Cheetah Siblings then Martin McGing’s Team Breeze.

We had a splendid set of images, getting us off to a good start. Thanks Bill for presiding.

Technical note: The PAGB and L&CPU have changed their rules to 1600 x 1200p for PDIs and this was our first competition where that was our requirement too. The images were actually viewed at 1400 x 1050p (our projection standard) following extensive trials last season we found this quite satisfactory.

 

Meeting 21 September 2017

September 22, 2017 in Crewe PS news

Tonight we had Ray Thorley, a local photographer, to speak to us. Technical difficulties prevented Ray from giving his intended talk about landscape photography and instead Ray spoke very enthusiastically about his degree course in photography – which he embarked on after retirement! He clearly enjoyed it immensely – but I sensed a love of people drove it all. This was a good bridge to introduce the second part, which was a little item about James Ravilious. James’s photographed the people he lived among in north Devon; he charmed them, cared about them and became part of their lives. Their trust and cooperation enabled situations where James could get those photographs which form a portrait of Devon rural life in the late 20th century which will captivate us for ever. Perhaps, in the future, we could spend some more time looking at the approach that James, and others, had to photographing people in their environment.

Meeting 14 September 2017

September 22, 2017 in Crewe PS news

Crewe PS, together with nearly 100 other clubs in the North West, is a member of the Lancashire & Cheshire Photographic Union. They support their clubs in numerous ways, one of which is to organise 4 major competitions each year. A selection of the most successful and representative work is circulated to member clubs each year. This week we looked at the first of these selections of prints. We use it as a chance to learn from them how to present our work. No matter what we photograph most of us want to make sure we present it in the best light.

After the break we had a short presentation by member Stephen Coyne. Stephen is a much travelled photographer and when he offered the title “What I did on my holidays” some of us assumed he would have some new travel venture to talk about. Instead we were treated to a charming little item about how he pursued a project suggested in a magazine. It was a breath of fresh air and something to interest everyone, especially perhaps our newcomers.

Our picture of the week is by Peter Bainbridge and is of a DeHavilland Comet Racer. Peter is expert is an expert at getting this crisp, sharp shots of plans in flight and he even manages, very often, to show the pilot clearly. Peter gave us a talk a while back in which he said something we will always remember. “I like to show (with my photos) how I feel about the subject” – not a bad maxim!

First Meeting of the 2017-18 Season

September 15, 2017 in Crewe PS news

Our fist evening of the new season was a great success with a very high attendance and some new faces too! They heard two talks by members. Paul Hill gave his long-awaited presentation on macro photography, eagerly anticipated because we all know the high the quality of his work. He included a discussion of the image above, which we all greatly enjoyed a while back, and how sad it is that it doesn’t readily fall into any competition category. Too indistinct for “Nature” but too descriptive to be recognised as an artistic creation for the “Open” section.

In the second half of the evening Wallace Baxter took us on a (very calm) North Sea boat trip to watch the remarkable site of Gannets plunging into the waters like white arrows, gulping fish like, well, Gannets!

 

 

 

Exploring the Forum

September 11, 2017 in Information

The above photograph is by Martin Munkácsi. It was taken in 1929 or 1930, and has long been known as “Three Boys at Lake Tanganyika”. Cartier-Bresson said it was the only photograph that influenced him: “In 1932, I saw a photograph by Martin Munkácsi of three black children running into the sea… [it] made me suddenly realise that photography could reach eternity through the moment. I couldn’t believe such a thing could be caught with the camera… I said damn it! I took my camera and went out into the street.”

Cartier-Bresson had spent years studying painting, including two years (1928/29) with André Lhote, who taught, in particular, figure painting – how to represent the human figure’s physical presence, movements, and expressions. Hence Cartier-Bresson’s astonishment that a photograph could do something that he’d thought only the plastic arts (drawing, painting and sculpture) could achieve.

Munkácsi learnt his trade as a newspaper photographer after the First World War. He specialised in sports photography, which at the time could only be shot outdoors in bright light. But he managed to do this with remarkable attention to composition, which required technical as well as artistic skill. And it was the meticulous handling of the plastic forms, expressing such spontaneity and joy in life, that had so impressed Cartier-Bresson.

Munkácsi summed up his approach to photography in an article called “Think While You Shoot”: never pose your subjects; let them move about naturally; all great photographs today are snapshots; take back views, take running views; pick unexpected angles, but never without reason.

In the early 1930s, Martin Munkácsi took a series of photographs along the west side of Fifth Avenue in Manhattan on glass plate negatives. These pictures, combining architecture and people in the street, show the same meticulous attention to composition, to the flow and gesture of line through a picture, that had made such an impression on Cartier-Bresson a couple of years before.

(This post appeared on the Forum recently and is copied here to tempt you to view our Forums – and sign up if you are a member. In addition to illuminating posts like this one you will find posts about events, technical discussion and, of course, our popular Monthly Theme)

 

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