Monthly Archives: November 2015

Alsager CC v Crewe PS 26 November 2015

Alsager fielded some excellent images, as indeed did we; and it was always likely to be a close thing. In the end Alsager took the charming trophy (a golden SLR) by just three marks. RESULTS. It was a very entertaining evening presided over … Continue reading

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19 November 2015 Talk by Paul Hill BPE

At this week’s meeting we viewed all the prints in the latest L&CPU Folio. Since PDIs of the prints had been asked for the presentation of the accompanying AV was very good and improved our enjoyment of the prints. After … Continue reading

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What makes a good monochrome print?

This is Peter Hrebien’s photograph of Martin Simpson. It shone out in our last competition for sheer print quality. What constitutes a fine monochrome print is something which all the old hands profess to know but nobody quite likes to … Continue reading

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Mike Sharples ARPS MPAGB EFIAP BPE4* – 12 November 2015

Mike showed us his successful competition pictures which featured people in costume at Blists’ Hill, the Black Country Museum, Whitby and various other sites together with landscapes from the Hebrides, the Dingle peninsular and Anglesey. There were shots of intriguing … Continue reading

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Print 1 2016 – (Front Page 2/11/15)

When we hold a competition the pictures are judged by someone from outside the club, who is, of course, unaware of who has taken them, consequently progress by members in the quality and nature of their work goes unremarked. This … Continue reading

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Meeting 5 November 2015 – A look at our work and that of others

This week we spent some time looking more closely at the work submitted for the last print competition. Members valued being able to examine the work closely and some very thoughtful comments could be heard around the room. We then … Continue reading

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Front Page: 26 October 2015

  There are few photographers of the stature of Salgado and his Genesis exhibition has been touring the World recently. This time he concentrates on Nature rather than people (as he did on “Workers” and “Migrations”). All his photographs are … Continue reading

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